Thus, you’ll find a variety of contemporary or near-contemporary images in this book. Events in my daily life affected my approach to each spread, and the Philadelphia of today seeped into the Philadelphia of Whitman’s day.

I found that in order to add anything at all to Whitman’s panorama of people and places, I had to add a dimension of my own. The text and imagery in this book are intended to be in keeping with Whitman’s unfurnished sensibility. I’ve attempted to liberate the words from their blocks of verse, and allow the lines to flow freely about the page, like a stream or a bustling city crowd. With this book, I’ve tried to make the vigor of “Song of Myself” tangible. His work is an expression of primal joy: He celebrated our animal senses, and the pleasures of being alive. He exalted the nature around and within us. He reveled in the vitality and sublimity of the physical. His sensibility was American: exuberant, rough, and wild. He wanted to break free not only in form but also in content: He sought complete candor, not allegory or symbolism.

Whitman wanted to create a new form of verse, one that was indigenous to America. His elegant, lyrical play of text size and orientation layers over Whitman’s poem a kind of visual rhythm that not only harmonizes with the original verses but enriches them and gives them uncommon dimension.Ĭrawford, who lives in the outskirts of Philadelphia where Whitman settled at the end of his life, writes in the foreword: In Whitman Illuminated: Song of Myself ( public library), artist Allen Crawford brings Whitman’s undying text to new life in gorgeous hand-lettering and illustrations, transforming the 60-page poem originally published in 1855 as the centerpiece of Leaves of Grass into a breathtaking 256-page piece of art. Visual artists have long been drawn to the literary classics, producing such masterful homages as William Blake’s paintings for Milton’s Paradise Lost and for Dante’s Divine Comedy, Picasso’s drawings for a naughty ancient Greek comedy, Matisse’s etchings for Ulysses, John Vernon Lord’s illustrations for Joyce’s Finnegans Wake and Salvador Dalí’s prolific illustrations for Don Quixote in 1946, the essays of Montaigne in 1947, The Divine Comedy in 1957, Alice in Wonderland in 1969, and Romeo and Juliet in 1975.

Walt whitman song of myself nine days